December 2014 – April 2015
The concert, which will take place in Sheldon Hall’s Ballroom, is free, but a donation to the Music Department’s Scholarship Fund will be gladly accepted.
If Music Be the Food of Love
For their second American tour, the wonderful British ensemble, Voice, brings a program of songs exploring the beauty, heartache, and humor of love. The trio focuses the program, called If Music be the Food of Love, on the extraordinary role of women in music – as composer, performer and muse.
Extend the Valentine’s season with a perfect evening; hear it with someone you love!
SUNY Oswego’s new Assistant Professor of violin and musicology performs the fiery and passionate Grieg Violin Sonata No. 3, in C minor, Op. 45 and other works for violin and piano.
Free and open to the public
Check here for updates on times and locations for Maniacal 4
The Maniacal 4 is an internationally acclaimed group of ‘four great musicians telling one unified, inspiring musical story after another’. Hailed as ‘a force to be reckoned with,’ they have played concerts on three continents, entertaining audiences with a wide range of styles and time periods. Well versed in classical, jazz, Latin and rock music, M4 is also at home playing with a rhythm section or other media. M4 performs its concerts almost exclusively from memory, projecting a ‘clear, unified, uplifting and committed musical vision on par with great CHAMBER ensembles.’ With all four members early in their musical careers, ‘M4 has the goods to become one of the finest trombone quartets performing today.’
Ke-nekt’ Chamber Music Series: Trumpeter Dave Douglas
Host: Eric Schmitz | Pre-concert Talk: 7:00 PM
Dave Douglas arguably is the most original trumpeter/composer of his generation. Douglas’ stylistic
range is broad yet unaffected; his music is not a pastiche, but rather reflects a personal aesthetic of a wide variety of interests. He explicitly cites such diverse influences as Igor Stravinsky, Stevie Wonder, and John Coltrane.
As a composer, Douglas adapts and synthesizes unusual forms and creates his own out of
disparate elements. As a trumpeter, he possesses a comprehensive jazz technique; certainly one hears the ghost of Lester Bowie in Douglas’ expressive manipulations of timbre and pitch, but more pronounced is the integration of distinctive compositional and improvisational conceptions that ultimately defines his work.
Jorgensen and Auler recently performed together at Argentina’s famed Teatro Colon. They reprise their collaboration for this program of 19th and 20th century masterworks.