September – October 2013
HEDY HABRA will present on her book MUNDOS ALTERNOS Y ARTISITICOS EN VARGAS LLOSA. Hedy Habra demuestra la aptitud de los personajes para crear mundos posibles en la obra del Nobel peruano.
Hedy Habra, author of Flying Carpets and Tea in Heliopolis takes us on a journey in space and time to Egypt and Lebanon through a storyteller’s and a poet’s eyes.
ORI author Timothy Egan discusses his book, The Worst Hard Time, concerning the Great American Dust Bowl and those who survived it. See the 7:00 PM listing for more information.
Information for obtaining a $1 Visitor Parking Permit is available at http://www.oswego.edu/administration/parking/guests.html
This is can’t-put-it-down history. – Walter Cronkite
Timothy Egan, the 2013 Oswego Reading Initiative (ORI) author discusses his book, The Worst Hard Time which won the 2006 National Book Award for nonfiction and about the Dust Bowl. He also shares a 2001 Pulitzer Prize as part of a team of New York Times reporters for their series, “How Race is Lived in America.” Egan is an online, op-ed columnist for the New York Times and a regular contributor to BBC Radio. His most recent book is Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward S. Curtis.
More at TimothyEgan.com
The Living Writers Series continues with poet Philip Pardi and a discussion about the craft of poetry. His first book, Meditations on Rising and Falling, won the Brittingham Poetry Prize and the Writers’ League of Texas Poetry Award. A former human rights activist and labor organizer, Pardi teaches at Bard College.
For more, read Pardi’s “How a Poem Happens.”
The Living Writers Series continues with playwright Tammy Ryan, author of Lost Boy Found in Whole Foods, a full-length play that won the Francesca Primus Prize in 2012, awarded by the American Theater Critics Association. Ryan’s plays have been performed across the United States and internationally, with eight of her fourteen plays being produced by the Pittsburgh Playhouse. Ryan talks about the process of playwriting and the influence that having an “artistic Home” has had on her work.