RSSAll Entries Tagged With: "music"

PHOTO: Tamar Greene ’09 performs

PHOTO: Tamar Greene ’09 performs

PROFESSIONAL VOCALIST TAMAR GREENE ’09 performed Nov. 30 in Waterman Theatre as a special guest of the SUNY Oswego jazz ensembles, which included the small jazz group, the Latin Jazz Ensemble and the Jazz Ensemble. Greene, a master of music graduate of the University of Rochester’s Eastman School of Music, also has performed with the Eastman and Oswego opera theaters.

Photo: O.A.R. performs on campus

Photo: O.A.R. performs on campus

Photo: Tari Kahn performance

Photo: Tari Kahn performance

Former Professors Endow Scholarships in Music, Wellness

Former Professors Endow Scholarships in Music, Wellness

During their long careers at SUNY Oswego, Hugh and Grace Mowatt Burritt helped thousands of students reach their full potential. It’s only fitting that as emeriti they extend their reach in perpetuity by establishing an endowed scholarship to help students in their areas of expertise.

Smiley celebrates 50 years as faculty member

Smiley celebrates 50 years as faculty member

Herbie Hancock performs in 1975.

Oswego’s Jazz Rep Is ‘Solid’

Oswego has certainly had its share of great rock and pop performers over the years, but it’s also been a notable venue for jazz.

Even casual fans of the genre would recognize legendary names like Louis Armstrong (1966), Chuck Mangione (1972, 1980), Herbie Hancock (1975), and Branford (1990), Wynton (1991) and Ellis Marsalis (1994).

Jazz enthusiasts may also remember that established musicians like Ramsey Lewis (1966, 1976), Larry Coryell (1974), Thad Jones and Mel Lewis (1974), Woody Herman and Ron Carter (1978), the Heath Brothers (1979), Maynard Ferguson (1984), Mike Stern (2006) and Billy Childs (2008) have graced the stage here.

Herbie Hancock

Herbie Hancock performs in 1975.

The roots of jazz at Oswego stretch back to the arrival of Music Professor Emeritus Hugh Burritt, who in the late 1960s founded what would become the Solid State jazz ensemble.

“We began to get good crowds and it became very popular on campus, playing Waterman and the Hewitt Union ballroom,” Burritt recalls. “It was amazing to me how well it was accepted.”

With a solid jazz following and Burritt as unofficial advisor to the Program Policy Board, progressive acts started coming to campus. “We had a number of students on the PPB who were in my jazz history class that were really into it,” says Burritt, who himself played trumpet with big band legends like Tommy Dorsey in the 1950s and ’60s. “We had some outstanding groups come in.”

Solid State and the State Singers drew large crowds whenever they performed, according to Music Professor Emeritus Stan Gosek.

“It wasn’t uncommon in the’70s,’80s, even the’90s to have standing room only in Waterman,” says Gosek, who took the Solid State reins from Burritt in the mid-1980s and retired in 2003.

“The jazz scene and jazz interest at Oswego was there,” Gosek remembers. “Because of the enormous student interest in this music, that influenced bringing world-class acts to campus.”

One of his favorite memories is opening for Herbie Hancock, who played in 1975 at Laker Hall. Pianist Gosek was joined onstage by a group that included Solid State alumni for the memorable performance in front of about 2,000.

For decades, student musicians earned perhaps the biggest benefit, he said. Solid State would open for or play with many of the pros who came through and the program itself earned its own notoriety playing a couple dozen shows each year in the area and at various jazz festivals.

— Shane M. Liebler

 

Rommel Wood ’07: Three things I love about the web right now

Rommel Wood ’07: Three things I love about the web right now

1. Using blogs as living, breathing resources for the stuff you love.

shuffler.fm

People are calling it a combination of StumbleUpon and Pandora for music nerds.

Sounds good: CMA adds audio production minor

Sounds good: CMA adds audio production minor

SUNY Oswego’s new interdisciplinary minor in audio design and production aims to meet student and industry demand while broadening opportunities for students.

Acting instructor Shannon Penrod-Miller ’84 and director Kevin Kennison ’82 share some performance movement tips with Heather Ungerer, 14, during Summerfame on the Oswego campus. High school students from around the country came to campus July 18 to 30 for the two-week institute in musical theatre. “I got so much out of [the theatre] program that of course I want to give back to it,” said Kennison, an independent casting director based in New York City and interim head of the BFA program in acting at Brooklyn College. “It’s not a camp, but a pre-college training program,” he said, since the program gives students a very realistic view of the foundation of skills and learning they will need to succeed in musical theatre. Calling the program “important for Oswego and the next generation of artists,” he said that Summerfame gives Oswego the opportunity to attract strong students who will come to campus to see what the college has to offer. Planning is already under way for a summer 2011 version of the program, he added.

Summerfame brings future stars to campus

Acting instructor Shannon Penrod-Miller ’84 and director Kevin Kennison ’82 share some performance movement tips during Summerfame on the Oswego campus.